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Q: What kind of music do you write?
A1: I don't really know.
A2: Good music.
A3: Music I like.
A4: Contemporary classical music. Whatever that means.
A5: Mostly postminimilast chamber music.
Q: What kind of music do you listen to?
A1: I don't really know.
A2: Good music. Or shockingly bad music.
A3: Music with a driving sense of pulse. Or music that is absolutely still.
A4: I like intelligently crafted, intricately woven music. Except for the incredibly stupid music I listen to.
A5: Music that tries to introduce me to something new. Or music that does something old exquisitely.
A6: Music that means what it says.
Q: How do you compose?
A1: I don't really know.
A2: No, really, I have no idea.
A3: Which is not to say it's some mystical process. I just can't watch myself do it.
Q: Why do you compose?
A1: I don't really know.
A2: Because otherwise, I might as well be dead.
A3: Because I am constitutionally incapable of working a 40-hour work week and remaining happy.
A4: Because every hour I work for somebody else's gain is a waste.
A5: Because there's music I want to hear that hasn't been written yet.
A6: Because there's no feeling like having creatied beauty out of nothing.
Q: What do you want your music to accomplish?
A1: I don't really know.
A2: I want it to be good. Failing that, I want people to think it's good.
A3: I want as many people to hear it as possible.
A4: I want people to love it, and be moved by it.
A5: I want it to be performed and listened to after I die.